To shift a midi note or a selection of notes in octave, hold Shift-Cmd and use the arrow keys to transpose up or down. It’ll appear as a dotted line as you draw and apply to the selected notes when you release the mouse. With the Pointer tool engaged, itʼs easy to quickly make velocity ramps by selecting multiple notes and holding Cmd while you Click-Drag a linear ramp across the velocity stalks. With the Pencil tool engaged, we get vertical velocity values that we can freely shape as we draw across them. Cmd-B will toggle between these views and the corresponding Pencil or Pointer tool. Live gives us two different ways to interact with midi note velocity values we have vertical lines or stalks with breakpoints on top. I use the heck out of Live’s grid commands ( Cmd-1: smaller grid, Cmd-2: larger grid, Cmd-3: triplets) but my favorite is Cmd-4: GRID OFF! This is great for staggering percussion hits or all-around micro-editing because it offers finer control over note duration. If your computer isn’t laggy, it’s also good for impressing your friends and pets. Scrolling playback can help you visually hone in on a timing issue or problematic transient. I find this function helpful for identifying problem areas in an arrangement. You can turn it on/see it as a two-dotted arrow in the transport bar. Maybe you’re trying to fine tune that awesome snare roll, this Ableton shortcut will allow you to audition the clip from wherever you want.Ĭmd-Shift-F will tell Live to follow the playhead as it scrolls through the session. While still holding Option, pressing play will start playback at that spot which is marked by orange triangles above and below the track.
Ableton live keyboard shortcuts not workign mac#
Hold down the Option key on Mac while selecting a point in the clip to anchor your playhead position to that spot within the clip. To do this in the Arrange View, Dbl-Click to enter your audio or midi clip and its contents will appear at the bottom of the screen. Instead of positioning the playhead marker in the main edit window, I like to look inside of the clip in question and lock into my edits. I find that when building up a track in the Arrange View, I still need to make micro-edits inside of clips. This is part of the reason I like to put my mix bus inside of the group as well.Ī big part of why I enjoy producing in Live is the synergy between Session/Clip and Arrange View. Note: Muting the Group channel will now have no effect. I like the organization that groups provide but don’t like the way tracks sound when squeezed through them. The relevant mix bus or even a midi sidechain track can all be neatly packed inside of your group. Instead of keeping their default output (“Group”), I’ll usually sub-mix my group members to a separate audio bus and set the group output to “Sends Only” to avoid any routing confusion. I still do but now I do so knowing that I have the power to send my group members anywhere in the session. Here are 7 of Scott’s favorite Ableton shortcuts:Ĭmd-G I used to use them a lot. Instructor Scott Gilmore uses Ableton Live for most of his productions and he wanted to share some tips that he finds useful that may be lesser known.
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